A possibilidade da realidade objetiva na imagem: a comunicação na experiência estética em sua via negativa

Abstract

A genre of communication that implicates on the reflection of the aesthetic experience as the assimilation of the "thing" in its unit of meaning and in its internal reference with life. Making it your question, this thesis marks the existing relation of continuity between the reality, the image and the intellective activity, proposing the hypothesis of the interior image not to form a distinct thing from which is the image, being it a formal emanation. Inquiring if the availability and complexity of the intrinsic nexus between the act of receiving it and transmitting it, recognizing the choice of the negative way implicates on a continuous improvement that makes up for the experience while the skills acquired, are necessary for the approximation of our subjectivity to the constituent principles objectives that it seeks to grasp. The objective is to accentuate that the continuous exercising may bring out the one who perceives but also what is perceived, and that within this semiosis makes another way of learning, which leads us to overcome the limits of considering the image just as arbitrary, subjective or recreative. For such, it is based, among others, in Gadamer (2008), Heidegger (1986, 2010), Agamben (2007), Damasio (2000, 2011), Thomas Aquinas (2001, 2005) and Tolstoy (2002)